Wednesday, February 8, 2012

Oldschool Thrash Metal Bands: PANTERA (pt. 2)

A new vocalist emerges (1987–1989)

1986 and 1987 saw the release of several landmark thrash metal albums that would prove influential to Pantera’s developing musical style. Among the most prominent of these were Metallica’s Master of Puppets, Slayer’s Reign in Blood, Anthrax’s Among the Living and Megadeth’s Peace Sells… but Who’s Buying?[3][page needed] Terrence Lee’s glam approach did not fit the band’s new outlook and he and the other members parted ways, beginning the search for his replacement. Terrence then went on to form rock group, Lord Tracy.

The band went through temporary vocalists Rick Mythiasin, Dave Peacock and Matt L’Amour before eventually discovering New Orleans native Phil Anselmo in 1987. Anselmo had previously been the vocalist for the bands Samhain[1] (not to be confused with Glenn Danzig’s band of the same name) and Razorwhite. Upon playing with Pantera, Anselmo immediately clicked with the other three members. More than just the band’s image was changing, however. In 1988, Pantera released its first album with Anselmo, entitled Power Metal. By far the band’s heaviest album at this point, Power Metal was a mix of 1980s hard rock and thrash metal, sometimes blending both styles in a single song. Complementing the band’s new sonic approach was Anselmo’s harder-edged vocals compared to those of Terrence Lee. After the release of Power Metal, the band members decided to seriously reconsider their glam metal sound and image. Referring to the band’s spandex appearance, Vinnie Paul remarked at a band meeting that “These magic clothes don’t play music; we do. Let’s just go out there and be comfortable—jeans, t-shirt, whatever—and see where it goes.”[3]

As with the previous three 1980s albums, Power Metal was released on Metal Magic Records. Power Metal began to reflect the characteristic sound of later Pantera, though it still contained many elements of 1980s glam metal. The band members would later ignore their independent releases, including Power Metal, as they sculpted a new, heavier image to accompany their developing “groove” sound. Their four independent albums are not listed on the band’s official website and have become hard-to-find collector’s items.

Cowboys from Hell (1989–1991)

Shortly after Power Metal was released, “Diamond Darrell”, as he was then known, auditioned for Megadeth’s vacant guitarist slot, and was invited to join the band. Darrell insisted his brother, bandmate Vinnie Paul, be included, but because Megadeth frontman Dave Mustaine had already hired a drummer, Nick Menza, Darrell declined and Mustaine instead decided on Marty Friedman. The Abbott brothers refocused their attention on Pantera, and in 1989 they were given their first shot at commercial success. 1989 was also when the band formed their relationship with Walter O’Brien at Concrete Management (the management arm of Concrete Marketing), who remained their manager until they disbanded in 2003.[4]

After being turned down “28 times by every major label on the face of the Earth”,[5] Atco Records representatives Mark Ross and Stevenson Eugenio were asked by their boss Derek Shulman, who was interested in signing Pantera, to see the band perform after Hurricane Hugo stranded them in Texas. Ross was so impressed by the band’s performance that he called his boss that night, suggesting that Pantera be signed to the label. Atco Records accepted, and at the close of 1989, the band recorded its major label debut at Pantego Studios.

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