Despite being a by-the-book Glam Metal band early in their career, the band members perceive themselves to have had an uncompromising career in which they never “sold out” or gave into trends. This is most noticeably highlighted in the themes and title of The Great Southern Trendkill. On Pantera’s official website, Anselmo puts it in his own words:
We’ve survived every f**king trend—alternative metal, “grunge metal”, funk metal, rap metal—and we’re still here. We put everyone on notice that we don’t fuck around. Our fans know we’re true right down to the fucking core.
Similarly, the die-hard attitude of “We’ll Grind That Axe For a Long Time” (from Reinventing the Steel) is, according to Anselmo, “in a way, our motto.”
Aside from their post-glam thrash metal influences, the band members cite heavy metal pioneers Black Sabbath as one of their favorite bands. As a tribute, Pantera has recorded three different covers of Black Sabbath songs (all from the Ozzy Osbourne era). The first was “Planet Caravan”, a slower, quieter song planned for the first Sabbath tribute album, Nativity in Black, that eventually became the final track on Far Beyond Driven. The band performed Sabbath’s “Electric Funeral” on the second Nativity in Black. A previously unreleased cover of Sabbath’s “Hole in the Sky” was included on the band’s 2003 compilation album, The Best of Pantera: Far Beyond the Great Southern Cowboys’ Vulgar Hits! Pantera’s affinity for Black Sabbath is also shown through the lyrics, “Your trust is in whiskey and weed and Black Sabbath”, in “Goddamn Electric”. The same song also mentions Slayer, one of the band’s thrash metal influences. Pantera’s musical style was also heavily influenced by the bands of the New Wave of British Heavy Metal such as Motörhead, Judas Priest, Iron Maiden, and Venom.[6]
Pantera has come under some criticism within the fringes of the heavy metal world in relation to New Orleans thrash metal band Exhorder. Some fans[who?] have accused Pantera of stealing from Exhorder their groove metal sound. While Pantera’s style change on Cowboys from Hell was released before Exhorder’s debut, Slaughter in the Vatican, Exhorder self-released two demos in the late 1980s (around the time that Pantera was still playing glam metal) that a number of fans believe to be the real birth of the musical style Pantera invented.
Allmusic points to several elements of Exhorder’s debut that could potentially explain its lack of success in relation to Pantera. In disagreement with the opinion that Exhorder is “Pantera minus the good songs”, AMG’s review of Slaughter in the Vatican expresses that “perhaps a more accurate billing would be to call them Pantera without the major label backing.” They also point to the fact that the title of Exhorder’s debut, along with the unsubtle album cover, “certainly didn’t help [its] cause any.”[31]
However, some fans and critics dispute any notion that Pantera “stole” Exhorder’s sound. Brian Davis, a contributor to Internet radio station KNAC, addresses the issue as follows:
Exhorder’s main “claim to fame” is the common opinion that they’re the band that Pantera stole their sound from. That’s total bullshit. There are minor similarities in guitar style, and on occasion, vocalist Kyle Thomas spits out a line or scream that will bring Pantera to mind, but to go so far as to say that Pantera is an Exhorder clone is ludicrous.
Despite originally decrying Pantera as a rip-off to their sound, lead vocalist of Exhorder, Kyle Thomas, has stated that he does not care about any of the criticism and is sick of seeing Exhorder’s name tied to Pantera’s. He also stated that he and the members of Pantera were great friends who used to tour together, and that he mourns the loss of Dimebag Darrell.[33][34] Recently[when?], Thomas suggested that while it is possible Pantera may have been influenced by his band, the members of Pantera “work[ed] a … lot harder than [we] did.”
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